Corel Painter IX

 

 

Motivation: Review of the latest version of this artistic expression powerhouse tool
Street Price: $380US   Rating: 8.5 on 10.0
Software: Corel Painter IX with Wacom Graphire stylus

Corel Painter for a long time has been the premier natural media paint program. If you are an artist Painter is one of the best mediums for digital expression. Now as the digital wave is sweeping over photography and video, Painter IX arrives with a number of tweaks and enhancements that will attract photographers and video artists to the fold.

Painter IX adds to its unique digital water color, impasto, and liquid ink brush strokes the new artist oil brush which emulates oil brush strokes with a finite amount of paint per stroke. Like watercolor and ink, artist oils blend in with the underlying co lour and smear and carry the underlying colors as well. The default settings have an uncanny "real oil color" feel to them. Artist oils coupled with the new Brush control (see lower left dialog box in the screenshot) and enhanced Mixer for Colors really speed up painting work. And Corel has added performance improvements so that brush and paint operations are notably faster and more reliable. One of the bugaboos working with Painter versus Adobe Photoshop and other paint programs was Painter's infrequent but pesky crashes. Three days of testing and no crashes so far. Finally, Corel has added a whole bunch of tools such as Quick Clone, Animation controls, and Paint to Path that will delight photofinishers and video artists. Smart photofinishers and animators are just going to love this tool.

Painter's Philosophy : Closely Emulate Natural Media

From its very beginnings, Painter has been dedicated to bringing the natural look and feel of painting and artistic media to computing. Painter was the first graphics program to add a whole set of natural effects to digital painting that caught artists eyes:
1)Background paper - effects painting depending on the brush used to paint on the paper/canvas
2)Patterns - images to be tile-filled or painted onto the paper/canvas for different results
3)Gradient - sweep of colors to be painted or filled on paper/canvas
4)Weave - repeating matrix gradient to be spilled/filled onto paper/canvas
5)Nozzle - a set of related small images to be sprayed on paper/canvas
And later a Look was added that encapsulated a selection of Paper, Pattern, Gradient and Weave for easily restoring to Painter's effects settings. But the most important innovation for Painter was the wide range of brushes from airbrush, conte, crayon to oils, pastels and pencils.

Painter has over its various versions created more brushes that are very good approximations to their natural artistic counterparts; but also has added special controls for these brushes. Users now can control a wealth of characteristics about the brushes they use:
1)brush size and type with 8 settings;
2)8 major stroke methods: cover, buildup, mask, eraser, drip, cloning, wet, digital wet, custom plugin;
3)5 spacing attributes including damping and minimum spacing;
4)5 angle settings including squeeze, start and repeat angles;
5)4 setting each for bristle, rake and well which determine stroke pattern and thickness;
6)5 settings for mouse and random calibrating how the brushes work in the UI;
7)4 settings for cloning and hosing special image effects;
8)10 and 8 settings for water and impasto which describe nature of paint interactions;
9)4 and 2 settings for color variability and expression;
10)Special settings for the airbrush, liquid ink, artist oils, and watercolor brushes.
From this list and the special hardware settings used with graphic pens from Wacom, Calcomp and others - it becomes obvious that Painter IX has a wide range of unique paintbrushes for creative work.With Painter IX, creative designers simply have more options quickly accessed for their artistic control

For example, consider the one-click ease of operation of the brushes and colors. The Tracker dialog shows the most recently used brushes; so switching between brushes is just a click away. And the new Brush Control dialog makes it simple to adjust these setting with simple mouse clicks. It is trivial to try various settings, quickly undo a operation(CTL+Z), and try again. A colleague who specializes in airbrush and water color works wishes the real equipment was this easy to manipulate and fine tune. Likewise for fine tuning colors, there is both the the distinctive triangle in a circular arc Color Palette of Painter plus the new Color Mixer palette that allows artists to mix and blend colors much as they do in the real world. But most important changing colors on a brush is just one click away with either the Color Palette or Mixer. However, picking up a color from the image requires 3 steps (click the letter D on the keyboard to switch to the Dropper tool; then click on the part of the image where you want to pick up a specific color, finally click on the letter B on the keyboard to switch back to the brush). But in general, artists can quickly move between colors and brushes and taking back(or undoing) a stroke or two is just a tap of CTL-Z (but only back 32 times).Artistic convenience is catered to with Painter IX

But there is more. Painter IX adds to this its unique set of digital artistic media. We have already mentioned the paper, pattern, gradient, and weave features which most other paint programs have felt compelled to copy. As well, many of the Painter IX brush methods are just one click away. To this brush virtuosity, Painter has over the years perfected its specialized digital media such as digital watercolor, liquid ink, impasto, pattern pen, image hose and now the new artist oils media(all used in the screenshot above). Each of these digital media has an uncanny ability to emulate natural media very well yet also give artists that creative extra flare if they chose to use it.The result is that, for painters and artists, there is no other digital tool as media-versatile and easy to use as Painter IX

Photo Finishing Virtuoso

At OCA-Ontario College of Art, there was a cadre of students who did a lot of work manipulating Polaroid camera instant photos. Using a pencil or stylus, the developing photo was manipulated by drawing on it with a heated, cooled, wet and/or chemically doped stylus. Artists had 30-60 seconds to work on the image before it developed. Afterwards one could paint over the image - but strangely, that was considered bad form. They became known as half-minute photo masterpieces. Painter IX has recreated the ability to do just such Polaroid masterpieces ... and then some.
The trick is to use the new Quick Clone and Tracing Paper settings shown in the screenshot at the right. The Cloners are special brushes that pick up the virtual tracing paper image below the clone brush as the "paint" for the brush. But the "image paint" is modified by the cloner brushes being used. So the Thick Camel Cloner shown in the screen shot at the right has bristles showing at its edges and lowers the brightness of the "image paint". The Waterpaint Cloner seen at the left of the canvas diffuses the "image paint" & adds small screening or saturation points keyed to the underlying paper. Finally the rakish strokes in the middle are done with the Smeary Bristle Cloner.

Meanwhile the full range of Painter IX brushes are always available and as can be seen from the layers dialog in the screenshot at left, a normal Watercolor brush has been used to tint and lighten portions of the image while a pastel brush was used in the corners to soften the image. In short, photofinishers are able to do Polaroid-like photo manipulations with none of the brief time restrictions and a whole gamut of brushes, colors, gradients, and patterns at their disposal.

However, Painter IX has a full range of tools to do photo, animation cell or video image edits. Painter IX can accommodate all three mediums with input for dozens of popular photo file formats including Photoshop PSD files with all layers and masks kept intact, animation sequences with a protected background cel or a video sequence of frames cut for special effects modification.Also there is a good set of tools for Image manipulation including cropping, resizing, rotating, and correcting distortions. As well in the Effects | Tonal Control menu item there is a full set of 9 color correction tools. The bottom line is that Painter is at least as as photofinishing capable as say Adobe Photoshop Elements or Ulead Photo Impact.

For example, the toolbox in the screenshot at the top of this page will be familiar to Corel PhotoPaint or Adobe Photoshop users with several masking tools, vector shape and pen drawing plus alteration tools. There is also a text input (with a robust set of options). In addition the screenshot just above shows a layering dialog that is as capable as the ones used in Corel Paint Shop Pro or Ulead's Photo Impact if not quite equivalent to Adobe Photoshop. In sum, Painter IX has all the basic feature set of some of the best photofinishing programs but adds to that two unique features: the best set of brushes and natural media plus a unique set of filters and special effects.

Painter IX Filters and Special Effects

We have already seen Painter IX's natural brush features. Now Corel has added oomph to an already unique set of filters and special effects. First, though its important to note that Corel is able utilize any existing Adobe-compliant plugins - there are hundreds available from dozens of third parties.

The new effects are courtesy of KPT-Kai's Power Tools that adds:
1)KPT Gel - adds stretchable marbles
2)KPT Goo - better than Photoshop Liquify
3)KPT Lens Flare - in many variations
4)KPT Lighting - strikes in many ways
5)KPT ShapeShifter - masked marvel
6)KPT Reaction - smart embossing fill
7)KPT Pyramid Power - seen at left, paints with pyramids in striking fashion
By the way, this screenshot shows the prowess of Painter IX filters - they can be constrained to only be applied to a selected area of the image as in the rectangular strip at the left.

The two most useful of these filters are Goo which allows creative distortion which can add a wacky whimsy or surreal effects to an image; and Reaction which takes embossing and line fills to a new level because the Reaction filter is well aware of color and line boundaries in a drawing or image. However, KPT is far from being the whole show in Painter IX

There are Painter IX special effects for Automatic Marbling, a custom Tiling effect, an excellent Woodcut effect, two texture impressing filters that use the underlying paper to heighten the effects and a nifty Glass Distortion filter.

Also there are two personal favorites. The Apply Lighting filter allows users to apply multiple lights with with distinctive color, spread, and brightness settings. The Lighting filter has about two dozen preset lighting options which can be quickly tries out and then modified to achieve the exact effect desired. The Apply Screen allows the user to create a duotone or tritone image with selected coloring and shading effects in just a few moments - very nice. On the downside there are some filters such as Image Warp and Serigraphy both ignore any selections and apply their effects to the whole screen. Also both filters lack positioning controls and extra lighting matches in the case of Serigraphy. And in general, Painter IX has some of the poorest preview capabilities of all the graphics programs. However, some of the filters are so distinct and useful they make up for the Painter IX effects flaws.

Professional Touches

The icing on the cake for Painter IX is a series of professional touches. First, in printed manuals and help Painter IX really shines. Many software vendors have really cut corners on documentation - changing to all electronic manuals and then cutting back on those manuals so a Reference Manual and User Guide shrinks down to a twenty page or so Getting Started Guide; and then all of the work is turned over to the online help system. Just think of Microsoft Windows documentation for an example.

In contrast, Painter IX comes with a full set of documentation. Its printed Users Guide is one of the best and most thorough intros into the world of digital graphics and photo finishing this reviewer has seen. All the commands and features are covered and with good visual examples and detail. In addition, there are free online tutorials available from Corel and Lynda.com which show how to take advantage of Painter IX features with animations and video clips. Finally, the helps system itself, take after the Users Manual in it concise but thorough discussion of every topic.

Another professional touch is Painter IX's approach to color management. Every graphic device (be it a scanner, printer, projector, slide creator, color display/monitor, or other graphic device) has its own unique color gamut - that is the array of colors it is capable of reproducing or displaying. Therefore transferring images between the devices can lead to color mismatches. Users most frequently see this when printing on an ink jet or laser printer. The colors printed don't match the exact shades and/or overall brightness and contrast seen on the display. But if you follow Painter IX color management commands, neatly outlined in a special Adobe PDF tutorial(its in the Help folder), professional users will find Painter IX very capable of keeping colors manageable and under control when switching between graphics devices.

Finally, Painter IX has a scripting tool that is similar to but a bit more convenient and powerful than the history command in Adobe Photoshop. Scripting allows users to record part or a complete graphic drawing or photofinishing session. Then its relatively easy to go back and edit the script such that the mistakes and redraws are cutout. One can also insert into the script some additional script commands recorded for a special session.

Summary

Painter IX is not without its blemishes. This reviewer finds it frustrating that when opening an image file, the preview is not available until Painter has written to the file at least once to provide the thumbnail. All the other Corel programs such as Draw and PhotoPaint can do an immediate preview - why not Painter IX ? Likewise, despite being part of the Corel fold for at least 3 versions, the Painter developers have not seen fit to borrow from the Corel PhotoPaint or Corel Draw programs the excellent preview facilities. These preview features allow users to see the before and after or the after alone as reflected on whole canvas (but immediately removed if the operation is cancelled). But these are minor annoyances given the power and ease of use that Painter IX brings to photofinishing, animations and most important - from scratch drawing and painting. Its been said before but bears repeating - Painter IX is uncanny in its ability to provide natural media look and feel in the digital world. But then Painter IX takes it to a new level because any and all of these media and effects can be combined and used to provide subtle to wow artistic expressions either impossible or discouragingly difficult to do elsewhere. Painter IX is the real digital painting deal.

Jacques Surveyer has a website full of Painter enhanced images, see SportPics.ca.




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